Song for song, “Folkore” does not quite rise to the heady level of albums like “It begins with “The 1,” a stoic look back at a fizzled romance, which moves at a lope, nudged along by ringing piano chords and one of the album’s sprightlier beats. Her greatest album — so far. Peace is little more than an electronic palpitation and a watercolour hue of tension; its minimalism is toothsome. Swift’s most coherent record since her staunchly country days, it’s nonetheless her most experimental, developing on Lover’s stranger, more minimalist end. © 2020 Guardian News & Media Limited or its affiliated companies. Belum move on dari era album “Lover” dimana ular telah berubah menjadi kupu-kupu, Taylor Swift kembali dengan album kejutan, “Folklore” pada 24 Juli lalu. Love or her or hate her, there is no gainsaying the prodigiousness of Swift’ output, nor the sheer oddity of her career — a quirky singer-songwriter, with an unseemly work ethic and an antsy muse, who transformed herself into a world-beater. Taylor Swift: Folklore review – love and loss in lockdown 3 / 5 stars 3 out of 5 stars. Folklore (stylized in all lowercase) is the eighth studio album by American singer-songwriter Taylor Swift, released on July 24, 2020, through Republic Records.A surprise album announced without pre-release promotion, Folklore was written and recorded while in isolation during the COVID-19 pandemic.Categorized as an indie folk, alternative rock, electro-folk, and chamber pop record, the … Text Size 0 A A A A.

This, surely, would be no mere pivot back to Nashville, but a journey Back to the Land — the debut of Taylor Swift, folk bard.Well, kinda. (He: “You never gave a warning sign.” She: “I gave so many signs.”) The song hits hard because it rings true. takes a completely different approach, yet feels even more intimate, simply because it’s the sound of an artist with absolutely nothing to prove. There are sometimes baffling brand endorsements.

She’s never sounded this relaxed or confident, never sounded this blasé about winning anyone over. The song includes the line “Bad was the blood of the song in the cab on your first trip to L.A.” (Translation: Swift’s boyfriend Joe Alwyn once heard Swift’s hit “Bad Blood” on the radio in a Los Angeles taxi.
In a brief essay included in the liner notes, she says of the album’s concept: “The lines between fantasy and reality blur and the boundaries between truth and fiction become almost indiscernible.” She writes that some songs are about her and others are about invented characters.

But the demands of pop processing mean her voice has never been heard as it is here: the acceptance that colours it on The 1, a bouncy reminiscence of a lost lover from her “roaring twenties”; how weatherworn yet at peace she sounds as she remembers the good parts of a treacherous relationship on Cardigan, a song as cavernous and shimmering as a rock pool in a cave.
“Betty” offers a true novelty, the sound of Taylor Swift inhabiting the persona of a 17-year-old boy. Here’s a Swift progress report on her quarantine: “I’ve been having a hard time adjusting/I had the shiniest wheels, now they’re rusting/I didn’t know if you’d care if I came back/I have a lot of regrets about that.” The power of her mind.It’s amusing, in retrospect, how people actually worried that being happy in love might mean Swift would run out of things to write songs about. Review: 'Folklore' is the album Taylor Swift was born to make.

By the time that arrives, a weariness has descended: the sense that one of pop’s all-time greatest songwriters is overcompensating despite her clear talent.Recent albums, too, have been consumed with the various dramas that have plagued her since the country ingenue became a pop superstar with 2012’s Red. This rich isolation album boasts collaborations … Taylor Swift: Folklore Album Review. But as lockdown experiments go, It’s not all Dessner. Microsoft may earn an Affiliate Commission if you purchase something through recommended links in this article. The album closer, Hoax, pairs Swift’s anguished words (“Your faithless love is the only hoax I believe in”) with It is a shame that these searching, intelligent songs take so few real risks with formSwift, now 30, has long been fond of the National, whose multi-instrumentalist lynchpin Undoubtedly, this album opens up the vast reserve of Swift’s talent to a new audience. The recriminations are fewer, the fights fairer, and her sense of responsibility in them greater. But it is a shame that these searching, intelligent songs take so few real risks with form, even as Swift builds three-song takes on the same events in Occasionally, there are glimpses of what could have been. The album is ruminative and dreamy, the work of an artist, who, cut off from the everyday world, turned inward, following the rushing rapids of her imagination and scooping up songs as they flowed past.The Swift you hear on “Folklore” is the same consummate craftsperson she’s always been, but she sounds freer, liberated from the pressure to keep pace with the marketplace, to compete, to make hits. USA TODAY. She does the opposite here — she refuses to repeat her most reliable tricks. Photo via YouTube/Taylor Swift. It’s another sterling entry in a catalog that continues to expand at an absurd rate. © 2020 Guardian News & Media Limited or its affiliated companies. Have you ever listened to "All Too Well" and said, "Great, now can I have 16 more of these?" No country moves, no synth pop, no first dates, no “Taylor visits a city” song, not even a laugh. The singer surprised fans Thursday with an announcement that her … The often unpopular lead single seldom sounds like the rest of the album. It’s a smart promotional strategy-by-proxy for an artist who has done little press in the past five years, and a good way of making your actions seem as if they were written in the stars. Picking up a pen was my way of escaping into fantasy, history, and memory.” really feels like the debut album of a whole new Swift — her narrative scope has opened up, with a wide-ranging cast of characters for 17 songs, without a dud. A clutch of songs where Swift works with her more familiar producer “The Lakes” is a bonus track for vinyl, CD, and (what a flex) cassette, but it’s a must-hear: Taylor walks in the footsteps of William Wordsworth, the Romantic poet who essentially invented the kind of introspective writing she does, wandering the Windermere Peaks of the Lake District. For more or less the first time in her nearly decade-and-a-half-long recording career, Swift has cast off the yoke of pure first-person subjectivity. We want to hear from you! It’s as far beyond .